I felt sad about the ending of an era, even though Erving told sportscaster George Micheal that fans should cheer his exit instead of shedding tears about it, and so I decided to paint a verbal picture of the Doctor at his peak, the Doctor who had young legs and a full Afro as opposed to the Doctor who had 37 year old, battle weary legs and cropped hair flecked with gray. Mark Shechner's free verse poem "Elgin Baylor"--published in the 1980 anthology Take It to the Hoop--inspired my choice of free verse poetry as a medium to describe a basketball player's greatness in short, staccato word bursts.
Doc on the Break: Early 1970s
Doc clears the boards
With (seemingly) nothing more
Than personal magnetism
And a single hand of Herculean dimensions.
He is going one way
And the ball the other
But they meet nonetheless
And Doc gallops effortlessly downcourt,
The ball thump-thumping and bump-bumping in front of him.
The big guy--it doesn't matter which one--
And a couple smaller guys are back on "D"
But Doc doesn't care.
The crowd is in a hushed frenzy,
Tensed and waiting.
Perhaps Doc thinks back to the playgrounds.
Maybe he hears the playground chant thump-thumping in his head:
"Do it to it! Do it to it, Doc!"
Whatever, it doesn't matter,
Doc turns it on,
Blasts by the littler men--
A mere trifling concern.
Doc wants the big guy,
Who stands tensed at the basket,
Ready to jump.
Doc doesn't care.
Now he reaches the foul line
And fast break takes on a new dimension:
Doc's legs coil and then uncoil
And he stretches into the sky,
Carefree.
The big guy jumps,
Times his leap, his arm extension, everything, perfectly, flawlessly.
Doc doesn't care.
The ball is above Doc's head,
A tri-color star gleaming in the heavens.
Doc plucks the star from the sky,
Watches it twink-twinkling,
And slams it home, as the big guy's hand tumbles down helplessly.
Doc has greeted the patient
And left his unmistakable calling card.
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